Performing an Ending

John T. Frederick wrote, in his 1924 book A Handbook of Short Story Writing, that “for the most intimate and final revelation of a character to be realized, it is best to put the character in action rather than conversation or introspection.”

I’m glad I found this passage since I am struggling to conclude what I finished writing. This is my dilemma with concluding my book. There is only dialogue. I need a performance.

Yes, performance and action do not necessarily mean the same in a lot of ways. I’m looking for something between action and dialogue and performance seemed to fit for me. Although, I don’t know what I mean by it.

The standard theory has one character changing from beginning to end. I made that happen. Now, how do I make him happy about it and ride into the sunset without looking back for a sequel?

I read a lot of different genres and some authors are good beginners, some good at the middle, and some end the novel well. The key is to be good for two out of three. It can be a struggle to accomplish this. Also, which is lower in priority? Beginning, middle, or end? I’m trying for at least one out of three.

So, I’ll put in a performance. I’ve decided this will be action and dialogue together that includes a second character. Like a dance. Maybe a tango.

P.S. Yes, I’ve used the same image before. I like it.

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